Changing the image of James Bond
To be or not be a 007
For decades we have been mesmerized by the British avant-garde and at times reckless author Ian Flaming’s fictional character James Bond and the world loved the scandalous hero. Admired by both genders we never had enough of his adventurous shenanigans. The more we got the more we wanted.
But who is James Bond? Is Ian Fleming James Bond? The Cultural Politics of 007 is an entertaining and revealing examination of the many facets of Bond’s character, before Bond became a cinematic icon. Whatever political statement Fleming made, we fell in love with the everything knowing, everything able and ever so sexy Mr. Bond.
This scoundrel, the protagonist of a series of thrillers that appeared during the time of Britain’s decline as a major power, heated up the Cold War and women’s boudoirs. The cinematic James Bond has long eclipsed not only the fictional Bond who bore the marks of Fleming’s heroic fantasies, his restless ingenuity, his snobbery, and his creator too.
We have loved his womanizing, the ever so elegant, dashing combination of cool intelligence, lethal aggression and sexual magnetism of James Bond, portrayed by number of virile and tall Scots and Brits, accustomed to that face, that smile, that style and classic action hero, and aren’t going to accept the changing of the image of 007.
So what were they thinking when choosing a little-known actor, Daniel Craig, as the new Bond?
Changing the image of 007 into a blonde, a short, little-known actor will never suffice. If they assumed that Americans and the rest off the World will just accept it I doubt it.
What is missing with new 007? The dark and sultry look, sex appeal, oh well let be straight and call it as it is, everything is missing that made James Bond an everlasting image in our minds that will remain as such.
Next time ask an Image consultant for advice, it would help to have a hit instead of a flop on your hands. My choice, hands down, goes to the talented London-born actor Thorsten Kaye who portrays the melancholy Zach Slater of “All My Children” as the wealthy casino owner.

“This man oozes with a raw sex appeal and talent to boot, a voice that makes you wish you were next to him on some deserted island and your children had his last name.”
There is no surprise that this multi-talented and educated actor has appeared on the London stage in such plays as The Winter’s Tale, Love for Love and Tartuffe. A seasoned Shakespearean actor, he has performed in numerous theatrical productions, including Macbeth, Much Ado About Nothing, Hamlet, Love’s Labour’s Lost, Twelfth Night and The Taming of the Shrew.
Not since Sir Laurence Olivier has an actor been able to fill the screen with such magnetism, reach out and grab your soul and pull you into the story, as this wonderful actor does. With little botax, he could easily and effortlessly portray the role of Heathcliff, in Emily Bronte’s “Wuthering Heights.”

Hello producers grab him before someone very smart does, and they make his name a household word, and get a hit on their hands. With class, theatrical background and huge range he dictates roles that are memorable.
An avid rugby player, Mr. Kaye played throughout Europe before enrolling in graduate school at Wayne State University. After getting his master’s degree in theater and theater history, he joined the Hilberry Repertory Theatre Company in Detroit.
He also published a book of original poetry, entitled From “Timber Ridge to Daymer Gardens”, with Dorothy Bridges, widow of actor Lloyd Bridges, whose family is a one of the finest class of people I have had the pleasure of meeting and working with on LAWHE in early 80’s. So it is not surprising that proceeds from the book, which accompanied a CD release of the same name, go to “Give Kids the World,” a charity for sick children.